汉服英语作文？汉服英文短文:In recent years，Chinese clothing is becoming more and more popular.with China＇s economic prosperity,Chinese people has embraced western fashion，however a growing number of youngster have started to pursue vintage style in clothing and makeups，那么，汉服英语作文？一起来了解一下吧。
no i seak kia xiba proper nouns in English are advised to make reservations and then a longer explanation is that since there are additional sub -
no i seak kia xiba proper nouns in English are advised to make reservations and then a longer explanation is that since there are additional sub -
Hyun-side: Zhou Dynasty established dress, for Xuanse, wide sleeves (a huge sleeves), more cumbersome, in the worship time before other major wear.
Qu garment: the upper and lower piece, a circle or a few laps around the body, resulting in a special winding effects. Warring States period everyday clothing, the Han Dynasty evolve into dress, not yet to come. Narrow hem in some models, when mistaken for a long kimono.
Deep clothing: the Warring States period, the daily clothing, both men and women at the time was wearing. Upper and lower piece (as opposed to the then popular T-shirt Xiashang), chang part 12 with a cloth, symbolizing the year of 12 months. Was not handed down, in the Ming Shi You are textual criticism out into men's dress.
Direct garment: a man cut down pass everyday clothes, belt or Cummerbun department.
À »T-shirt: round neck, a cloth in the lower Wai more as the official mandarin.
Straight body: also known as robes of the Ming period, men's everyday clothing. Also cut down pass, there are dark swing, resulting in pleated effect.
Ru Skirt: Women's daily clothing, jacket is a jacket, skirt is a skirt.
Ban Bi: Women's T-shirt, a kind of similar to the modern short-sleeved sleeves.
Chest-Confucian skirt: the Tang Dynasty clothing style, and the general Confucianism, like skirts, but the Department of the upper chest. With runs in may (read ke1) son (an underwear), and Duijin shirt. Hanbok reference objects.
Duijin T-shirt: During the Tang dynasty woman T-shirt, Han clothing is different from the usual cross-collar, but Duijin style, no more popular after the Tang Dynasty.
Horse face skirt: A skirt the Ming Dynasty, there are pleated effect, very beautiful.
Bei child: the cloak. Men's daily dress, a woman's dress.
Bunt: the working people's clothing, for the jacket and Hakama (pants), can the Department of belt, coat both sides of the slits. Cuff of small, easy to work. Can be used as casual wear and modern Ju Jiafu.
Translation machines died while
XuanDuan: the formulation of dress, for XuanSe, wide sleeve (big), compared with the sleeves, major in sacrificial red when wear.
Ju dance around the body and: at a number of laps, or special effect. During the warring states period for casual clothing for the dress, the evolution of the han dynasty when not spread later. Some narrow and long tail style be mistaken for the kimono.
Clothing: deep in the warring states period, in the everyday clothing was both men and women can wear. Different from the upper conjoined twins (pop), under the coat and cloth, and part of symbolic year December 12 months. Was not handed down in the Ming dynasty, and textual research, be man's dress.
Ju straight through cutting down: the man of daily clothing, or waist belt.
A: the aperture, unlined upper garment of a picture of the cloth, much as sashes.
Straight body: also called way tunic, Ming dynasty man daily clothing. Also, and dark place through cutting, pleated effect.
Confucianism: women's daily garment skirt, Ru is DuanYi, skirt is the skirt.
Half of a woman: coat sleeves, similar to modern sleeve.
The tang dynasty Confucianism skirt, chest, and generally Confucianism style of dress, but in the skirt of chest. 讠 collocation can be read (ke1) children (a kind of underwear) and DuiJin coat. Han2 fu2 reference object.
DuiJin coat: tang dynasty's coat, different from the usual hanfu, but the DuiJin style, and bring no more popular after tang dynasty.
Ma3 mian4 skirt of Ming dynasty: one is the plait skirt, the effect is very magnificent.
BeiZi: namely cloak. Man's clothing, the daily.
The laboring people bunts: clothing, jacket and trousers Ku (for), belts, coat openings on both sides. Cuff for labor. Small, Can be used as a modern leisure clothing and household.
Man: in the clothing of clothing and Ku (ms), for in pants and dress and skirt (.). The man in the dress when need in garment wears in a white robe,. If you don't wear clothes wear of hanfu like don't wear a shirt will wear a suit, is very impolite behavior.
The Japanese kimono comes from the Chinese Han clothing so there are many similarities between them. However, there are some differences.
The Han clothing has a variety of styles rather than the Japanese kimono, simple and drab. Only (直裾深衣 不会翻译~) one style of Han clothing is bit same as kimono. Here are some examples:
1.line collectivity（总体线条）
The Han clothing has curve line. Some of styles have a square curve when spread but show fluent curve when you wear it. That kind of clothes can perfectly exhibit your stature.
While the curve of kimono is a straight line. After spreaded it still has straight line and right angle like consist of several large squares. When you wear it, the kimono can not show you stature very well.
2. neckline and cuff（袖口）
The necline of Han clothing is close to the neck which gives a sense of civility.
The kimono has a square cuff and not long enough to reach the finesse, which is uneasiness. The cuff is oversewed but the bottom is opened like overturn the Han clothing.
3.lap（下摆）
The Han clothing has a wide lap. You can walk as usual without limit but kimono is a little bit narrow that can not walked well.
4.drapery（布料）
The Han clothing is focused on lightness about material. Some high-classed one only choose mousseline as drapery.
The kimono always use Japanese damask, which the key point is straight and massiness. As a result, it can not be designed as long sleeve and wide lap.
5.adorn（配饰）
There are wide choices for the Han clothing like: jade pendants on a girdle(玉佩), chinese ancient cleanse（宫涤）,sachet(香囊)，Chinese knot（中国结）. Usually tied on the belt and increase the tache. Kimono do not wear any adorn.
6.pattern（花纹）
The Han clothing use elegant colour, which is decent but kimono sometimes too colourful.
7.purfle（衣缘）
The Han clothing has purfle and use different colour with the other parts. Usually use flowery baldaquin. That enhanced the beauty of clothes.
The kimono has purfle on the neckline but just use the same material of other parts commonly. Sometimes it may be different.
According to all these, we can realise the difference between the Han clothing and kimono.
话说这是我自己翻译的，好像有点不太正宗，不过老外应该也能看懂啦。
The kimono (着物?)[1] is a Japanese traditional garment worn by women, men and children. The word "kimono", which literally means a "thing to wear" (ki "wear" and mono "thing"),[2] has come to denote these full-length robes. The standard plural of the word kimono in English is kimonos,[3] but the unmarked Japanese plural kimono is also sometimes used.
Kimonos are T-shaped, straight-lined robes worn so that the hem falls to the ankle, with attached collars and long, wide sleeves. Kimonos are wrapped around the body, always with the left side over the right (except when dressing the dead for burial),[4] and secured by a sash called an obi, which is tied at the back. Kimonos are generally worn with traditional footwear (especially zōri or geta) and split-toe socks (tabi).[5]
Today, kimonos are most often worn by women, and on special occasions. Traditionally, unmarried women wore a style of kimono called furisode,[5] with almost floor-length sleeves, on special occasions. A few older women and even fewer men still wear the kimono on a daily basis. Men wear the kimono most often at weddings, tea ceremonies, and other very special or very formal occasions. Professional sumo wrestlers are often seen in the kimono because they are required to wear traditional Japanese dress whenever appearing in public.[6]
As the kimono has another name gofuku (呉服?, literally "clothes of Wu (呉)"), the earliest kimonos were heavily influenced by traditional Han Chinese clothing, known today as hanfu (汉服?, kanfuku in Japanese), through Japanese embassies to China which resulted in extensive Chinese culture adoptions by Japan, as early as the fifth century ce[5]. It was during the 8th century, however, when Chinese fashions came into style among the Japanese, and the overlapping collar became particularly a women's fashion[5]. During Japan's Heian period (794–1192 ce), the kimono became increaslingly stylized, though one still wore a half-apron, called a mo, over it [5]. During the Muromachi age (1392-1573 AD), the Kosode, a single kimono formerly considered underwear, began to be worn without the hakama (trousers, divided skirt) over it, and thus began to be held closed by an obi "belt" [5]. During the Edo period (1603-1867 AD), the sleeves began to grow in length, especially among unmarried women, and the Obi became wider, with various styles of tying coming into fashion [5]. Since then, the basic shape of both the men’s and women’s kimono has remained essentially unchanged. Kimonos made with exceptional skill from fine materials have been regarded as great works of art.[5].
The formal kimono was replaced by the more convenient Western clothes and Yukata as everyday wear. After an edict by Emperor Meiji,[7] police, railroad men and teachers moved to Western clothes. The Western clothes became the army and school uniform for boys. After the 1923 Great Kantō earthquake, kimono wearers often became victims of robbery. The Tokyo Women's & Children's Wear Manufacturers' Association(东京妇人子供服组合) promoted the western clothes. Between 1920 and 1930 the Sailor outfit replaced the undivided hakama in school uniform for girls. The 1932 fire at Shirokiya's Nihombashi store is said to have been the catalyst for the decline in kimonos as everyday wear. (It is, however, suggested, that this is an urban myth.)[8][9] The national uniform, Kokumin-fuku (国民服) a type of western clothes was mandated for males in 1940.[10][11][12] Today most people wear western clothes and wear the cooler and more comfortable yukata for special occasions.
Textiles and manufacture
Kimonos for men are available in various sizes and should fall approximately to the ankle without tucking. A woman's kimono has additional length to allow for the ohashori, the tuck that can be seen under the obi which is used to adjust the kimono to the individual wearer. An ideally tailored kimono has sleeves that fall to the wrist when the arms are lowered.
Kimonos are traditionally made from a single bolt of fabric called a tan. Tan come in standard dimensions—about 14 inches wide and 12½ yards long[5]—and the entire bolt is used to make one kimono. The finished kimono consists of four main strips of fabric—two panels covering the body and two panels forming the sleeves—with additional smaller strips forming the narrow front panels and collar[5]. Historically, kimonos were often taken apart for washing as separate panels and resewn by hand. Because the entire bolt remains in the finished garment without cutting, the kimono can be retailored easily to fit a different person.[5]
The maximum width of the sleeve is dictated by the width of the fabric. The distance from the center of the spine to the end of the sleeve could not exceed twice the width of the fabric. Traditional kimono fabric was typically no more than 36 centimeters (14 inches) wide. Thus the distance from spine to wrist could not exceed a maximum of roughly 68 centimeters (27 inches). Modern kimono fabric is woven as wide as 42 centimeters (17 inches) to accommodate modern Japanese body sizes. Very tall or heavy people, such as sumo wrestlers, must have kimono custom-made by either joining multiple bolts, weaving custom-width fabric, or using non-standard size fabric. [13]
Traditionally, kimonos are sewn by hand, but even machine-made kimonos require substantial hand-stitching. Kimono fabrics are also frequently hand made and hand decorated. Various techniques such as yūzen dye resist are used for applying decoration and patterns to the base cloth. Repeating patterns that cover a large area of a kimono are traditionally done with the yūzen resist technique and a stencil. Over time there have been many variations in color, fabric and style, as well as accessories such as the obi.
The kimono and obi are traditionally made of silk, silk brocade, silk crepes (such as chirimen) and satin weaves (such as rinzu). Modern kimonos are also widely available in less-expensive easy-care fabrics such as rayon, cotton sateen, cotton, polyester and other synthetic fibers. Silk is still considered the ideal fabric.
Customarily, woven patterns and dyed repeat patterns are considered informal; Formal kimonos have free-style designs dyed over the whole surface or along the hem[5]. During the Heian period, kimonos were worn with up to a dozen or more colorful contrasting layers, with each combination of colors being a named pattern[5]. Today, the kimono is normally worn with a single layer on top of one or more undergarments. The pattern of the kimono can also determine in which season it should be worn. For example, a pattern with butterflies or cherry blossoms would be worn in spring. Watery designs are common during the summer. A popular autumn motif is the russet leaf of the Japanese maple; for winter, designs may include bamboo, pine trees and plum blossoms.
A popular form of textile art in Japan is shibori (intricate tie dye), found on some of the more expensive kimonos and haori kimono jackets. Patterns are created by minutely binding the fabric and masking off areas, then dying it, usually done by hand. When the bindings are removed, an undyed pattern is revealed. Shibori work can be further enhanced with yuzen (hand applied) drawing or painting with textile dyes or with embroidery; it is then known as tsujigahana. Shibori textiles are very time consuming to produce and require great skill, so the textiles and garments created from them are very expensive and highly prized.
Old kimonos are often recycled in various ways: altered to make haori, hiyoku, or kimonos for children, used to patch similar kimono, used for making handbags and similar kimono accessories, and used to make covers, bags or cases for various implements, especially for sweet-picks used in tea ceremonies. Damaged kimonos can be disassembled and resewn to hide the soiled areas, and those with damage below the waistline can be worn under a hakama. Historically, skilled craftsmen laboriously picked the silk thread from old kimono and rewove it into a new textile in the width of a heko obi for men's kimono, using a recycling weaving method called saki-ori.
都给你搬来咯。
汉服英文短文:
In recent years，Chinese clothing is becoming more and more popular.with China＇s economic prosperity,Chinese people has embraced western fashion，however a growing number of youngster have started to pursue vintage style in clothing and makeups，wearing traditional “Hanfu”or “Han clothing”.
It is characterized by loose and flowing robes that drape around the body,different dynasty have different hanfu, which have many peculiar elements.
The beautifully crafted traditional costumes have deeply attracted many people overseas.
以上就是汉服英语作文的全部内容，Dress culture is introduced 服饰文化介绍 Hanfu clothing is the traditional clothing of the Han Chinese (Han -the predominant ethnic group of China).汉服是中国汉民族传统服饰。
